I wasn't really sure if I would like Boneshaker when I first started the book. I had never read anything by Cherie Priest before and I had not read a proper Steampunk novel before either (even though I love Steampunk in general). I'm usually more into classic epic fantasy writers like David Eddings, Terry Brooks and Raymond E. Feist. I very often have a problem with more modern authors, what can I say, I'm an old fashioned gal...well, sort of.
So with a skeptical mind I delved into the story of Briar Wilkes and her son Zeke and was pleasantly surprised. The concept of the blight gas-affected and walled in town of Seattle sets a grim and exciting backdrop for the adventure. Briar lives a hard life hardly getting by with the money she earns from her job.
Her deceased husband Leviticus Blue was responsible for unleashing the blight gas that has turned Seattle into a ghost town filled with shambling undead things. Her son keeps asking questions about his father and his grandfather and Briar doesn''t know how to handle it. When Zeke heads into Seattle to find answers to his questions Briar has no choice but to follow him in there on a mad dash quest to get him back.
After reading this book I found that Priest has written characters that I actually care about (This is one of my Litmus tests, if I don't care about the characters it's not a good book). I found myself nervously reading on at times just to make sure that the characters survived whenever they were in danger. At some points I thought I could predict the next twist in the story, but most of the time I was actually surprised about where things ended up. I realize that Priest has taken some liberties with historical facts in this book, but the world feels very real and believable to me, and the people that inhabit it are complex and flawed, just the way I like it!
The language of the book is very good and the dialogs between the characters doesn't seem artificial and bland like they sometimes do in fiction.
Bottom line, I would highly recommend this book if you're into Steampunk, dysfunctional relationships and Zombie afflictions!
I'm definitely going to read the rest of the series at some point, when I have cleared a few more titles of my reading list. So many books, so little time you know.
So with a skeptical mind I delved into the story of Briar Wilkes and her son Zeke and was pleasantly surprised. The concept of the blight gas-affected and walled in town of Seattle sets a grim and exciting backdrop for the adventure. Briar lives a hard life hardly getting by with the money she earns from her job.
Her deceased husband Leviticus Blue was responsible for unleashing the blight gas that has turned Seattle into a ghost town filled with shambling undead things. Her son keeps asking questions about his father and his grandfather and Briar doesn''t know how to handle it. When Zeke heads into Seattle to find answers to his questions Briar has no choice but to follow him in there on a mad dash quest to get him back.
After reading this book I found that Priest has written characters that I actually care about (This is one of my Litmus tests, if I don't care about the characters it's not a good book). I found myself nervously reading on at times just to make sure that the characters survived whenever they were in danger. At some points I thought I could predict the next twist in the story, but most of the time I was actually surprised about where things ended up. I realize that Priest has taken some liberties with historical facts in this book, but the world feels very real and believable to me, and the people that inhabit it are complex and flawed, just the way I like it!
The language of the book is very good and the dialogs between the characters doesn't seem artificial and bland like they sometimes do in fiction.
Bottom line, I would highly recommend this book if you're into Steampunk, dysfunctional relationships and Zombie afflictions!
I'm definitely going to read the rest of the series at some point, when I have cleared a few more titles of my reading list. So many books, so little time you know.
(c) Anita K. Olsen Støbakk
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